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GIF animation tools You can enhance or create animations for the Web by importing or creating GIF animations using layers, in which each frame of the animation is a separate layer. You can then interactively preview the results before saving the file. In this way, you can experiment with real-time image-compression controls to create quality images with minimal file sizes. Explore Your Creativity Photoshop Elements software provides endless ways to get creative with your images.
Its wide variety of tools and commands provide easy yet powerful ways to create and modify images. Built-in libraries You can easily add interesting graphic elements to photos or create Web buttons and banners by choosing from a large library of shapes and symbols and applying effects to them.
Effects The Effects palette includes drag and drop simplicity for applying complex effects to text, textures, frames, and images. Drag the effect and watch the program automatically jump to life, executing the commands that generate the visually rich results. Page 22 14 Overview Make text changes without dialog boxes You can freely add and change text, fonts, and type effects such as warping directly to these elements without having to make your changes within restrictive dialog boxes.
Art brushes A wide variety of brush libraries are included that let you add paint strokes that simulate different painting and drawing techniques. For more brushes, you can load other brush libraries, create your own brushes, or modify existing ones.
Or you can use the Impressionist tool to quickly give photos the look of an artistic painting. Produce Outstanding Results Photoshop Elements software provides highly flexible image capture and output options.
You can work with images from digital and film cameras and scanners to easily prepare professional-quality output for print, email, or Web posting. Incorporate graphics Once you have created the image you want, you can incorporate your graphics into printed flyers, brochures, and presentations. The Picture Package feature automatically generates multiple copies of a photo in different sizes on a single page, similar to the photo packages traditionally sold by portrait studios.
This enables you to maximize the use of expensive photo-quality paper, and gives you a simple way to create and print a contact sheet of your images for easy reference. Built-in Adobe color management ensures that the colors you see on-screen match what you get in print. Multiple file formats, including PDF You can open, save, and print all major graphics file formats, including layered Photoshop files.
Web-based photo printing Photoshop Elements provides simple-to-use access to Web photo services, letting you upload your images to supported sites easily from within the program. Depending on the service, you may be able to add borders, create personalized greeting cards, or order prints that are then mailed directly to anywhere you want, such as to friends, family, clients, and customers.
Note: Not all services are available in all geographic regions. Photoshop Elements gives you an efficient work area and user interface to create and edit images for both print and the Web. W Getting familiar with the work area The Photoshop Elements work area is arranged to help you focus on creating and editing images. About the work area The work area consists of the following components: Menu bar The menu bar contains menus for performing tasks.
The menus are organized by topic. For example, the Layers menu contains commands for working with layers. Shortcuts bar The shortcuts bar displays buttons for executing common commands.
Palette well The palette well helps you organize the palettes in your work area. Palettes Palettes help you monitor and modify images. Using the tools Some tools in the toolbox let you select, edit, and view images; other tools let you paint, draw, and type.
You can view information about any tool in the toolbox by positioning the pointer over it. The name of the tool appears below the pointer—this is called the tool tip. Additional information about the tool appears in the Hints palette. You must select a tool in order to use it. The currently selected tool is highlighted in the toolbox. Some tools have additional tools beneath them—these are called hidden tools.
When you see a small triangle at the lower right of the tool icon, you know that there are hidden tools. Options bar The options bar provides options for using a tool. A B C Toolbox The toolbox holds tools for creating and editing images.
Active tool B. Hidden tool C. By default, the options bar appears below the shortcuts bar at the top of the work area. The options bar is context sensitive, which means that it changes as you select different tools. Some settings in the options bar are common to several tools, and some are specific to one tool. If the icon has a small triangle at its lower right corner, hold down the mouse button to view the hidden tools. Then, click the tool you want to select. The keyboard shortcut is displayed in its tool tip.
To use the options bar: To move the toolbox: Drag the toolbox by its title bar. When this option is deselected, you can cycle through a set of hidden tools by simply pressing the shortcut key without holding down Shift. To move the options bar: Drag the options bar by the gripper bar at the left edge. The gripper bar will only appear when the options bar is docked at the top or bottom of the application window. The palette well helps you organize and manage palettes. Using the shortcuts bar The shortcuts bar displays buttons for common commands.
You can keep the shortcuts bar open in the work area and click commands as you need them. To see the name of an icon, position the pointer over the icon and its tool tip appears. Shortcuts bar To move the shortcuts bar: Palette well Drag the shortcuts bar by the gripper bar at the left edge.
The gripper bar will only appear when the shortcuts bar is docked at the top or bottom of the application window. Note: The shortcuts bar must be showing in order to use the palette well.
To change the size of a palette: Drag any corner of the palette Windows or drag the size box at its lower right corner Mac OS. Note: Not all palettes can be resized. To close a palette: Do one of the following: Using palettes Palettes help you monitor and modify images.
There are many ways to organize palettes in the work area. You can store palettes in the palette well to keep them out of your way but easily accessible; or, you can keep frequently used palettes open in the work area. Another option is to group palettes together in the work area, or to dock one palette at the bottom of another palette. Note: Drag a palette out of the palette well if you want to keep it open. If the palette is grouped with other palettes, the entire group is concealed.
Window menu. All palettes are listed in the Window menu. To group palettes together: 1 Display the palettes you want to group together. If the palettes are in the palette well, drag at least one of them into the work area. A thick line appears around the body of the target palette when the pointer is over the correct area. To always start with the default palette and dialog box positions: Click palette tab, and drag the palette to group.
The change takes effect the next time you start the application. Using palette menus Palettes are grouped.
To dock palettes together: Palette menus are an important part of working with Photoshop Elements. Some commands in palette menus can be found in the menu bar; other commands are exclusive to palette menus. When a palette has a palette menu, a triangle icon appears at the top of the palette. The exact location and appearance of the triangle icon depends on where the palette is located: in the palette well, in a palette group, or in the options bar.
A double line appears at the bottom of the target palette when the pointer is over the correct area. Note: Entire palette groups cannot be docked together at once, but you can dock the palettes from one group to another, one at a time.
To move a palette group: Drag its title bar. The hand tool, the zoom tools, the Zoom commands, and the Navigator palette let you view different areas of an image at different magnifications. You can open additional windows to display several views at once such as different magnifications of an image. Using pop-up sliders A number of palettes and dialog boxes contain settings that use pop-up sliders for example, the Opacity option in the Layers palette.
If there is a triangle next to the text box, you can activate the pop-up slider by clicking the triangle. To use a pop-up slider: Using the document window The document window is where your image appears. You can open multiple windows to display different views of the same file.
A list of open windows appears in the Window menu. Available memory may limit the number of windows per image. Depending on the position of the first window, you may have to move the second window to view both simultaneously.
Click outside the slider box or press Enter or Return to close the slider box. To cancel changes, press the Escape key Esc. Magnifying and reducing the view You can magnify or reduce your view using various methods.
Click the area you want to magnify. Each click magnifies the image to the next preset percentage, centering the display around the point you click. When the image has reached its maximum magnification level, the command is dimmed.
Click the center of the area of the image you want to reduce. Each click reduces the view to the previous preset percentage. When the file has reached its maximum reduction level so that only 1 pixel is visible horizontally or vertically, the magnifying glass appears empty. When the image reaches its maximum reduction level, the command is dimmed. To magnify by dragging: 1 Select the zoom tool , and click the Zoom In button in the options bar.
These options scale both the zoom level and the window size to fit the available screen space. To automatically resize the window when magnifying or reducing the view: With the Zoom tool active, select Resize Windows To Fit in the options bar. The window resizes when you magnify or reduce the view of the image. Drag the zoom tool to magnify the view. The area inside the zoom marquee is displayed at the highest possible magnification.
To move the marquee around the image, begin dragging a marquee and then hold down the spacebar while dragging the marquee to a new location.
This can be helpful when using smaller monitors or working with tiled views. If you have enlarged your image, you can navigate to bring another area of the image into view. To use the hand tool while another tool is selected, hold down the spacebar as you drag in the image. The new Using rulers and the grid Rulers and the grid help you position items such as selections, layers, and shapes precisely across the width or length of an image.
When visible, rulers appear along the top and left side of the active window. Changing the ruler origin the 0, 0 mark on the top and left rulers lets you measure from a specific point on the image. Position the pointer over the intersection of the rulers in the upper left corner of the window, and drag diagonally down onto the image. A set of cross hairs appears, marking the new origin on the rulers.
The new zero origin will be set where you release the mouse. Note: To reset the ruler origin to its default value, double-click the upper left corner of the rulers. Note: Changing the units on the Info palette automatically changes the units on the rulers.
You can also change the units. Some layout programs use the column width setting to specify the display of an image across columns. The Image Size and Canvas Size commands also use this setting. Duplicating images Duplicating lets you experiment with and compare multiple versions of the same image. You can duplicate an entire image into available memory without saving to disk. To duplicate an image: 1 Open the image you want to duplicate.
Choose Lines for solid lines, or choose Dashed lines or Dots for broken lines. Getting the most out of Photoshop Elements The Photoshop Elements interface provides a variety of features to help you work efficiently and knowledgeably. Some features—such as the Hints palette and the Recipes palette—provide information about using tools and performing tasks. Yet other features—such as context menus, keyboard commands, and the Quick Start window—provide alternate ways to access commands.
You can click the play button , when available, to have Photoshop Elements perform the task for you. Using the Hints palette The Hints palette helps you learn how to use tools and palettes. As you drag or click on tools, the Hints palette will give you information on using the tool.
To use the Hints palette: 1 Display the Hints palette by clicking its tab. Using the Recipes palette The Recipes palette provides activities that guide you through different image-editing tasks. For example, you can view instructions about restoring an old photograph. Photoshop Elements will even do some of the steps for you. To use the Recipes palette: 1 Display the Recipes palette by clicking its tab. Using the Info palette The Info palette provides feedback as you use a tool.
Note: Move the Info palette out of the palette well if you want to view information while dragging in the image. To use the Info palette: 1 Display the Info palette by clicking its tab. The x- and y-coordinates of the pointer.
The width W and height H of a marquee or shape as you drag, or the width and height of an active selection. The x- and y-coordinates of your starting position when you click in the image. To change the unit of measurement displayed in the Info palette: The angle A of a line or gradient; the change in angle as you move a selection, layer, or shape; or the angle of rotation during a transformation. The change in distance D as you move a selection, layer, or shape.
The percentage of change in width W and height H as you scale a selection, layer, or shape. The angle of horizontal skew H or vertical skew V as you skew a selection, layer, or shape. Choose a unit of measurement from the Ruler Units pop-up menu, and click OK.
You can change the type of information that displays. It also displays a progress bar to help you monitor operations. When an operation—such as applying a filter or using the Photomerge command—is in progress, you cannot perform other operations. However, you can interrupt the process or have the program notify you when it has finished. Hold down Esc until the operation in progress has stopped. The number on the left represents the printing size of the image— approximately the size of the saved, flattened file in Photoshop format.
The number on the left represents the amount of memory that is currently being used by the program to display all open images. The number on the right represents the total amount of RAM available for processing images. Viewing file information You can view copyright and authorship information that has been added to the file.
Photoshop Elements automatically scans opened images for Digimarc watermarks. For section, choose the attribute you want to view. If the filter finds a watermark, a dialog box displays the Creator ID, copyright year if present , and image attributes.
This option launches the browser and displays the Digimarc Web site, where contact details appear for the given Creator ID. Information dialog box to get information faxed back to you. Keyboard commands let you quickly execute commands without using a menu; modifier keys let you alter how a tool operates. When available, the keyboard command appears to the right of the command name in the menu. You can view a complete list of keyboard commands and modifier keys in the Quick Reference Card section of online Help.
Using context menus Using the Quick Start window In addition to the menus at the top of your screen, context-sensitive menus display commands that are relevant to the active tool, selection, or palette. The Quick Start window provides options for creating and opening images, as well as links to online Help and tutorials.
Correcting mistakes Context menu for a document window To use a context menu: 1 Position the pointer over an image or palette item. Most operations can be undone if you make a mistake.
Alternatively, you can restore all or part of an image to its last saved version. But available memory may limit your ability to use these options.
To free memory used by the Undo command, the History palette, or the Clipboard: Reverting to any state of an image The History palette lets you jump to any recent state of the image created during the current working session. Each time you apply a change to pixels in an image, the new state of that image is added to the palette. For example, if you select, paint, and rotate part of an image, each of those states is listed separately in the palette. You can then select any of the states, and the image will revert to how it looked when that change was first applied.
You can then work from that state. Actions that do not affect pixels in the image, such as zooming and scrolling, will not appear in the History palette.
If already empty, the item type or buffer is dimmed. About the History palette Important: The Purge command permanently clears from memory the operation stored by the command or buffer; it cannot be undone.
Note: Revert is added as a history state in the History palette and can be undone. Older states are automatically deleted to free more memory for Photoshop Elements.
The maximum number of states is That is, the oldest state is at the top of the list, the most recent one at the bottom. This way you can easily see which changes will be discarded if you continue working from the selected state.
Likewise, deleting a state deletes that state and those that came after it. History state B. History state slider C. If you get a message that Photoshop Elements is low on memory, purging states is useful, since the command frees up memory. Presets are organized by type into libraries. Each type of library has its own file extension and default folder. You can use the Presets Manager to load different preset libraries. The presets you load in the Presets Manager correspond to the presets that appear in pop-up palettes and regular palettes.
Important: This action cannot be undone. To replace an existing document with a selected state: Drag the state onto the document. Note: This will replace the original image without changing its name. Working with presets Photoshop Elements provides predefined brushes, swatches, gradients, patterns, layer styles, and custom shapes called presets. Think of presets as ingredients for creating an image. You select presets through pop-up palettes in the options bar.
The Fill dialog box, and Layer Styles, and the Swatches palettes also display presets. Using pop-up palettes Pop-up palettes appear in the options bar and provide access to libraries of brushes, swatches, gradients, patterns, layer styles, and custom shapes.
When closed, pop-up palettes display a thumbnail image of the currently selected preset. When you click the triangle to the right of the thumbnail image, the pop-up palette opens to show you the currently loaded preset libraries. You can change the display of a pop-up palette to view presets by their names, as thumbnail icons, or with both names and icons. A B The Brush pop-up palette in the options bar. Click to open the pop-up palette. Click to view the pop-up palette menu.
When selecting a brush or gradient, be careful not to click the thumbnail image—doing so will display the settings editor for the preset. To save a library of brushes, gradients, or patterns for later use: Choose the Save command from the pop-up palette menu.
Then enter a name for the library file, and click Save. To load a library of brushes, gradients, or patterns: Choose the Load command from the pop-up palette menu. Then select the library file you want to add to the pop-up palette, and click Load. Note: Using the Load command will add the brush library to the brushes you have available. If you choose a preset library of brushes, the preset library will replace your current set of brushes. Then select the library file you want to use, and click Load.
Then click OK to replace the current list. To load to the default library of brushes, gradients, or patterns: Choose the Reset command from the pop-up palette menu.
Note: Not all of the above options are available for all pop-up palettes. Using the Preset Manager The Preset Manager lets you manage the libraries of brushes, swatches, gradients, and patterns that come with Photoshop Elements. For example, you can create a set of favorite brushes, or you can restore the default presets. The configuration of presets in the Preset Manager corresponds to presets that appear in pop-up palettes and regular palettes.
Preset files are installed on your computer inside the Presets folder in the Photoshop Elements program folder. If you want to load a library located in another folder, navigate to that folder, then select the library. By default, preset files are installed on your computer inside the Presets folder in the Photoshop Elements program folder.
To restore the default library or replace the currently displayed libraries: Click the triangle , and choose a command from the pop-up menu.
To save a subset of a library: 1 Shift-click to select multiple presets. Only the selected presets will be saved to the new library.
If you want to save the library to a folder other than the default, navigate to the new folder before saving. If you selected multiple presets, you will be prompted to enter multiple names. To delete a preset: Select the preset you want to delete, and click Delete. Preference settings are saved each time you exit the application. Unexpected behavior may indicate damaged preferences. You can generate a new preferences file with all preference settings returned to their defaults. Configuring Photoshop Elements For information on a specific preference option, search for the preference name in the index.
Preferences let you configure Photoshop Elements to best meet your needs. They can be used to control how the program uses memory, and to control the work area environment. To restore all preferences to their default settings: Setting preferences In Mac OS, do one of the following: Preferences are program settings that control general display options, file-saving options, cursor options, transparency options, and options for plug-ins and scratch disks.
Click Yes to delete the Adobe Photoshop Elements settings file. The Other Cursors options control the pointers for the marquee, lasso, magic wand, crop, eyedropper, gradient, paint bucket, shape, hand, and zoom tools. New Preferences files will be available the next time you start Photoshop Elements. To toggle between standard and precise cursors in some tool pointers, press Caps Lock. Press Caps Lock again to return to your original setting. The marquee pointer appears by default as cross hairs, the text tool pointer appears as an I-beam, and painting tools default to the Brush Size icon.
This option has no effect on the pixels in the file; it simply provides faster previews with the tools and commands.
Cursors, or both to display pointers as cross hairs. Brush Size cursors may not display for very large brushes. The Painting Cursors options control the pointers for the eraser, pencil, airbrush, paintbrush, impressionist brush, background eraser, magic eraser, red eye brush, clone stamp, pattern stamp, and the smudge, blur, sharpen, dodge, burn, and sponge tools.
Resetting all warning dialogs Sometimes messages containing warnings or prompts regarding certain situations are displayed. You can also globally reset the display of all messages that have been disabled.
A number of importing, exporting, and special-effects plugins come with your program; they are automatically installed in folders inside the Photoshop Elements Plug-ins folder. You can select an additional plug-ins folder to use compatible plug-ins stored with another application. You can also create a shortcut Windows or an alias Mac OS for a plug-in stored in another folder on your system. You can then add the shortcut or alias to the Plug-ins folder to use that plug-in with Photoshop Elements.
Once installed, plug-in modules appear as options added to the Import or Export menu; as file formats in Open and Save As; or as filters in the Filter submenus. Note: Photoshop Elements can accommodate a large number of plug-ins.
However, if the number of installed plug-in modules becomes great enough, Photoshop Elements may not be able to list all the plug-ins in their appropriate menus. Depending on the resolution of your monitor, installing a large number of plug-ins may cause the menu to extend beyond the screen. Note: When you copy or drag the plug-in files into the Plug-ins folder, make sure that the files are uncompressed. To install a third-party plug-in module: Follow the installation instructions that came with the plug-in module.
Make sure that you do not select a location inside the Plug-ins folder. The path to the folder will appear in the preferences window.
That file or all files in the folder will be ignored by the application once it has been restarted. That is, they should not be accessed over a network. Assigning scratch disks When your system does not have enough RAM to perform an operation, Photoshop Elements uses a proprietary virtual memory technology, also called scratch disks.
A scratch disk is any drive or a partition of a drive with free memory. By default, Photoshop Elements uses the hard drive that the operating system is installed on as its primary scratch disk.
You can change the primary scratch disk or designate a second, third, or fourth scratch disk, to be used when the primary disk is full. Your primary scratch disk should be your fastest hard disk, and should have plenty of defragmented space available.
Photoshop lets you create up to GB of scratch disk space using those scratch disks. Important: The scratch disk file that is created by Photoshop Elements must be in contiguous hard disk space. For this reason you should frequently optimize your hard disk. Adobe recommends that you use a disk tool utility, such as Windows Disk Defragmenter or Norton Speed Disk, to defragment your hard drive on a regular basis. See your Windows or Mac OS documentation for information on defragmentation utilities.
Page 51 2 Page 52 Page 53 45 Chapter 2: Getting Images into Photoshop Elements ou can get digital images from a variety of sources—you can create new images, import them from another graphics application, or capture them using a digital camera. Often you will begin by scanning a photograph, a slide, or an image. To create effective artwork, you must understand some basic concepts about how to work with digital images, how to produce high-quality scans, how to work with a variety of file formats, and how to adjust the resolution and size of images.
Y Bitmap images are the most common electronic medium for continuous-tone images, such as photographs or digital paintings, because they can represent subtle gradations of shades and color. Bitmap images are resolution-dependent—that is, they contain a fixed number of pixels. As a result, they can lose detail and appear jagged if they are scaled on-screen or if they are printed at a lower resolution than they were created for. Note: Bitmap images in Photoshop Elements are not the same as images saved using the.
About bitmap images and vector graphics Computer graphics falls into two main categories—bitmap and vector. You can work with both types of graphics in Photoshop Elements; moreover, a Photoshop Elements file can contain both bitmap and vector data. Understanding the difference between the two categories helps as you create, edit, and import artwork. Bitmap images Bitmap images—technically called raster images—use a grid of colors known as pixels to represent images. Each pixel is assigned a specific location and color value.
For example, a bicycle tire in a bitmap image is made up of a mosaic of pixels in that location. When working with bitmap images, you edit pixels rather than objects or shapes.
They can have jagged edges when printed at too large a size or displayed at too high a magnification. Vector graphics Vector graphics are made up of lines and curves defined by mathematical objects called vectors.
Vectors describe an image according to its geometric characteristics. For example, a bicycle tire in a vector graphic is made up of a mathematical definition of a circle drawn with a Page 54 46 CHAPTER 2 Getting Images into Photoshop Elements certain radius, set at a specific location, and filled with a specific color. You can move, resize, or change the color of the tire without losing the quality of the graphic.
Vector graphics are resolution-independent— that is, they can be scaled to any size and printed at any resolution without losing detail or clarity. As a result, vector graphics are the best choice for representing bold graphics that must retain crisp lines when scaled to various sizes—for example, logos. An image with dimensions of pixels by pixels would fill this small screen.
On a larger monitor with an bypixel setting, the same image with bypixel dimensions would still fill the screen, but each pixel would appear larger. Changing the setting of this larger monitor to by pixels would display the image at a smaller size, occupying only part of the screen. When preparing an image for online display for example, a Web page that will be viewed on a variety of monitors , pixel dimensions become especially important. Because your image may be viewed on a inch monitor, you may want to limit the size of your image to less than by pixels to allow room for the Web browser window controls.
Vector graphics are good for reproducing crisp outlines, as in logos or illustrations. They can be printed or displayed at any resolution without losing detail. Because computer monitors represent images by displaying them on a grid, both vector and bitmap data is displayed as pixels on-screen. About image size and resolution In order to produce high-quality images, it is important to understand how the pixel data of images is measured and displayed.
Pixel dimensions The number of pixels along the height and width of a bitmap image. The display size of an image on-screen is determined by the pixel dimensions of the image plus the size and setting of the monitor. The examples above show a bypixel image displayed on monitors of various sizes and resolutions. In Photoshop Elements, you can change the resolution of an image because image resolution and pixel dimensions are interdependent.
The amount of detail in an image depends on its pixel dimensions, while the image resolution controls how much space the pixels are printed over. Higher resolution images usually reproduce more detail and subtler color transitions than lower resolution images.
However, increasing the resolution of a low-resolution image only spreads the original pixel information across a greater number of pixels; it rarely improves image quality. Using too low a resolution for a printed image results in pixelation—output with large, coarselooking pixels. Using too high a resolution pixels smaller than the output device can produce increases the file size and slows the printing of the image; furthermore, the device will be unable to reproduce the extra detail provided by the higher resolution image.
Monitor resolution The number of pixels or dots displayed per unit of length on the monitor, usually measured in dots per inch dpi. Monitor resolution depends on the size of the monitor plus its pixel setting. Most new monitors have a resolution of about 96 dpi, while older Mac OS monitors have a resolution of 72 dpi. The same 1-byinch image with a resolution of ppi contains a total Understanding monitor resolution helps explain why the display size of an image on-screen often differs from its printed size.
Image pixels are translated directly into monitor pixels. This means that when the image resolution is higher than the monitor resolution, the image appears larger on-screen than its specified print dimensions. For example, when you display a 1-by-1 inch, ppi image on a dpi monitor, it appears in a 2-by-2 inch area on-screen.
Because the monitor can display only 72 pixels per inch, it needs 2 inches to display the pixels that make up one edge of the image. Most desktop laser printers have a resolution of dpi. This is also one of the two places in Elements where you can choose to have a before-and-after view while you work the other is Guided Edit, described next. Chapter 4 gives you all the details on using Quick Fix. The first time you launch the Editor, you start out in Quick Fix mode. Those are simply two different names for the same thing.
This book always calls it Quick Fix mode. It provides step-by-step walkthroughs of popular projects such as cropping photos and removing blemishes; see page 21 later in this chapter for an intro. Guided Edit also hosts some fun special effects and workflows for more advanced users see page Most of the Quick Fix commands are also available via menus in the Expert mode window shown in Figure This screenshot shows what you see on first entering the Custom Workspace, explained in the next section page You can customize your workspace quite a bit from this starting point.
Use the Quick, Guided, and Expert tabs at the top of the Elements window to switch modes. To get rid of the lock and free up your image for Organizer projects, go back to the Editor and close the photo there.
Understanding Expert Mode Once you click over to Expert mode click the Expert tab at the top of the Editor to get there , you may be pretty puzzled as to how to proceed. On the left side of the screen is a double-columned toolbox. When you open a photo, a small thumbnail version of it appears in the area near the bottom of the window. This area is called the Photo Bin. The buttons at the bottom right circled let you switch from one panel to another. You can see only one panel at a time, which is one reason why most folks prefer to use the Custom Workspace shown in Figure At the bottom right of the screen are a series of buttons labeled Layers, Effects, Graphics, Favorites, and More.
To switch to another panel, you click its button at the bottom of the screen and the previous panel disappears. But the Editor has many more panels than just those four. You can close the group by clicking the little X at its top right in Windows or top left on a Mac. All choosing the name does is make sure that the panel you want is the front one when the grouped panels appear. You can try running Expert mode with the Basic Workspace, but odds are that in about 10 minutes, this setup will have you raving and beating your head on your desk.
Fortunately, Elements offers a much better way to use the Editor: the Custom Workspace. The secret is a well-hidden menu command that restores Elements to its full usefulness. To achieve this transformation, just head to the bottom right of the Elements window, click the tiny arrow on the right side of the More button, and then choose Custom Workspace.
You just regained an enormous amount of freedom to set things up the way you want them. In the Custom Workspace you can tear individual panels out of the panel group, put panels into the Panel Bin and take them out , make your own panel groups, and so on.
Switch to the Custom Workspace right now. You can rearrange things quite a bit from where Adobe starts you out. To do that, just press the Tab key; to bring everything back into view, press Tab again. This also works in the Basic Workspace. When you first open a photo, you see the Photo Bin Figure in this area, which displays all your open files.
But if you click a tool in the toolbox on the left side of the Editor window, the Photo Bin gets replaced with settings for that particular tool, called logically enough the Tool Options. There are buttons at the bottom left of the main Editor window that let you switch back and forth between the Photo Bin and Tool Options, so you can always switch to the one you want.
However, you can hide it by clicking the down-pointing arrow at the right end of the light-gray bar just above it. To bring it back, click either the Photo Bin or Tool Options button at the bottom of the window.
This behavior is the same in both the Basic and Custom workspaces. The Photo Bin does a lot more than just show which photos you have open. This menu even lets you send files from the Organizer to the bin without actually opening them. Double-click one to open it for editing. You can also use Adobe Revel to sync photos from all your i-devices to your computer see page This menu lets you print the photos in the bin or make an album right there in the Photo Bin without ever going to the Organizer.
You can also use this menu to reset the style source images you use in the Style Match feature, explained on page If you like things to be compartmentalized, the Show Grid menu item puts a thin black line around each thumbnail. You can use any arrangement that suits you. These figures show the Mac version of Elements, in which the main menu bar is up at the top of the screen, out of the picture here.
In Windows, it sticks to the top of the workspace. Top: The panels in the standard Custom Workspace arrangement, with the images in tabs. Bottom: This figure shows how you can customize your panels. Top: A full-sized panel.
Bottom: A panel collapsed by double-clicking its tab where the cursor is here. Be sure to double-click the name of the panel, not in the blank area to the right of the tab. Top: Here, the Histogram panel is being combined with the Layers panel. To perform this technique, drag both panels out of the Panel Bin, and then drag one of them by clicking the tab at the top of the panel onto the other. To remove a panel from a group, simply drag its tab out of the group.
Luckily, you can fix this in a jiffy. Just pull the panels you want loose from the clump. After that, Elements will remember what you did, and those panels will appear right where you left them last time.
So the first time you call up the History panel, for instance, you get the six-panel group. You can click the arrow on the right side of this button to display the pop-out menu and make choices there, but click the main part of the button and everything is gone.
The PSD file format, created by Adobe, contains graphics created. A leading specialist in photographic. Users can optionally. These are the multiple award-winning. The installation of this plug-in module in the specified location will enable you to. Adobe Photoshop a l so uses this standard [ A u ch Adobe Photoshop ver wen det d ie sen Standard, [ Purpose of th i s element i s t o check whether or not the color transformation of device independent color into the CMYK color space of the output intent matches the result of the same conversion carried ou t i n Adobe Photoshop.
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Adobe Photoshop Elements – German translation – Linguee
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